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The soprano Sandra Medeiros was born in S.Miguel Island (Azores/Portugal). She studied at the Regional Conservatory of Ponta Delgada with Imaculada Pacheco and graduated at the Lisbon College of Music, where she studied with Joana Silva. She also studied singing with Lucia Lemos. She continued her studies (with scholarships from the Gulbenkian Foundation and the National Cultural Centre) at the Royal Academy of Music in London, where she studied with Julie Kennard and Clara Taylor. Sandra Medeiros graduated with “Distinction” and Dip. RAM from the Postgraduate Degree in Vocal Performance. Her prizes have included the Amanda von Lob Memorial Prize.
She has attended masterclasses in Portugal, Austria, Spain, England and France with eminent musicians such as Ileana Cotrubas, Teresa Berganza, Marimi del Pozo, Gundula Janowitz, Rudolf Knoll, Christiane Eda-Pierre, Frank Ferrari, Liliana Bizineche, Jill Feldman, Paul Esswood, Richard Miller, Robert Tear, John Streets, Teresa Cahill, Martin Isepp, Paul Kiesgen, Rudolf Jansen and Udo Reinemann.
She has been awarded several prizes in national and international singing competitions. She was finalist of the prestigious Wigmore Award at the Wigmore Hall in London and won second prize in the V International Singing Competition Bidu Sayão in Brazil.
Sandra Medeiros has recorded for Portuguese, Brazilian and Spanish television and for Portuguese, Bulgarian and English radio (BBC 3). She recorded the works Tons de azul (DRAC-1998) with the group Azul and 18th Century Portuguese Love Songs (Hyperion Records-2012) with L'Avventura London, having the latter been highly acclaimed in the international press (5 stars and Editor’s Choice from Early Music Today, 5 stars (tuning forks) from the French magazine Diapason, 5 stars and among the 10 best classical CDs of 2012 from the Portuguese Público). Sandra Medeiros has, also, recorded for label Naxos the role of Tirsi in L’Angelica by João de Sousa Carvalho (Naxos, 2016).
Her activity as a soloist ranges from early music to oratorio, lied, melodie, 20th and 21st century song and opera. She has already performed under the direction of renowned conductors such as Michael Corboz, Lawrence Foster, Marc Minkowski, Philippe Herreweghe, Sir Charles Mackerras, Laurence Cummings, Alberto Lysy, Enrico Onofri, Olivier Cuendet, José Ramón Encinar, Giancarlo De Lorenzo, Dennis Russel Davies, Gunter Newhold, Jane Glover, Adriano Martinolli, Roland Smith, Peter Marchbank, Andrew Swinnerton, Emily Ray, Emilio Moreno, Cristiana Spadaro, Stefano Molardi, Roberto Perez, Nicolay Lalov, Christopher Bochmann, Manuel Ivo Cruz, Jorge Matta, Osvaldo Ferreira, Rui Pinheiro, César Viana, Pedro Carneiro, Pedro Figueiredo, Pedro Amaral, Pedro Neves, Vasco Pearce de Azevedo, João Paulo Santos, João Tiago Santos, Alberto Roque, Eduardo Martins, José Ferreira Lobo, Paulo Lourenço, Marco Magalhães, Amancio Cabral, Ricardo Bernardes, Luís Carreiro. She also performed with Portuguese Symphony Orchestra (from São Carlos Opera House Theatre - OSP), Gulbenkian´s Orchestra, Lisbon’s Metropolitana Orchestra, Cascais and Oeiras Chamber Orchestra (OCCO), Portuguese Youth Symphony Orchestra, Orchestra A2M, Algarve´s Orchestra, Oporto Classical Orchestra, Madeira´s Classical Orchestra, Sinfonieta of Ponta Delgada, Baroque Orchestra of Mateus, Ponta Delgada's Baroque Ensemble, Lisbon´s Sinfonietta, Lisbon's Bach Ensemble, Divino Sospiro (Orchestra), Os Músicos do Tejo, Concerto Campestre (Orchestra), Ensemble Americantiga, Flores de Música (Ensemble), Alis Ubbo Ensemble, Camerata Atlântica, RAM-PIBO (Baroche orchestra of the Royal Academy of Music), Mission Chamber Orchestra of São José, Conjunt d'Antiga de L'ESMUC, Camerata Lysy Gstaad, the Warsaw Symphony orchestra, Anglian Baroque Ensemble L'Avventura London, Concerto Köln, among others. She was a member of the groups Capela Lusitana (1995-1997), under the musical direction of Gerhard Doderer, and Azul (1994-1998) with whom she performed in various parts of the contry and abroad, namely in Germany and Spain. She is one of the founding members of the Ensemble D. João V and Ensemble Affetti d'Amore.
Sandra Medeiros is a regular guest at the main theaters, concert halls and music festivals in Portugal. She has also performed in the U.K., Germany, France, Luxembourg, Spain, Bulgaria, Macau, Brazil, Uruguay and USA (California) in venues such as Wigmore Hall, Teatro da Paz, Teatre de Bobigny, Teatro Real de Madrid, Kölner Philarmonie, London Bach Festival, Brancaster Midsummer Music Festival, York Early Music Festival, Brighton Early Music Festival, Tudeley Festival, International Music Festival of Plasencia, International Music Festival of Macau, among others. Sandra Medeiros as performed in the Expo 98 (Portugal) and Expo An Meer 2000 (Germany).
The Portuguese contemporary music has played a prominent role in her career, having premiered four 20th and 21st century operas and works from composers like João Madureira, Carlos Marecos, Carlos Caíres, Nuno Côrte-Real, Sérgio Azevedo, Rogério Medeiros, Eduardo Rocha, Emanuel Frazão, Eurico Carrapatoso among others.
Sandra Medeiros has performed in recital with the pianists Margarida Magalhães de Sousa, João Paulo Santos, Nuno Vieira de Almeida, Olga Prats, Nicholas Mcnair, Alexei Eremine, Alessandro Segreto, Aurélio Viribay, Bethany Phillips, Svetlana Pascoal, Gabriela Canavilhas, Afonso Malão, José Brandão, Margarida Prates, Carla Seixas, Paulo Pacheco, Nuno Lopes, Ana Paula Andrade, Armando Vidal, Joana Gama and Francisco Sassetti.
Her concert repertoire includes works by composers such as Bach, Schutz, Buchtehüde, Vivaldi, Handel, Scarlatti, Pergolesi, Mozart, Haydn, Beethoven, Rossini, Poulenc, Saint-Sans, Debussy, Brükner, Bomtempo, Sousa Carvalho, António Teixeira, Pedro Avondano, Francisco António de Almeida, among others.
Her operatic roles include Barbarina (Le Nozze di Figaro), Princese / La chauve-souri (L’énfant et Les Sortiléges), Siamese Twin (The White Raven, Philip Glass), Dragonfly (The Cunning Little Vixen), Frasquita (Carmen), Serpina (La serva padrona), Carlota (As Damas Trocadas, Marcos Portugal), Donna Anna / Donna Elvira (Don Giovanni), Cardella (Lo Frate Nnamorato, Pergolesi), Lindane (Lindane e Dalmiro, Cordeiro da Silva), Flaminia (Il Mondo della luna, Pedro Avondano), Amore (Orfeu ed Euridice), Despina (Cosí fan tutte), Berenice (L'occasione fa il ladro), among others.
She has worked with the stage directors Luís Miguel Sintra, João Grosso, Paulo Matos, Carla Lopes, Pedro Penim, André teodósio, Carlos Antunes, Cleber Papa, Anna Sweeny, Robert Wilson, John Ramster, William Relton, Robert Chevara and Luca Aprea.
PRIZES/AWARDS
2022 First Prize in the International Mozart Competition Vienna (categorie: Classical Voice - Professional), Austria
First Prize in the London Classical Music Competition (categorie: Classical Voice - Professional), UK
Bronze Prize in the Euterpe Music Awards (categorie: Classical Voice - Professional), Germany
2009 Finalist in the II Concorso Lirico Internazionale del Mediterraneo (Opera), Bari/ Italy
2005 Finalist in the XVIIéme Concours International de Chant de Marmande (Melodie), France
2004 Second Prize in the V International Singing Competition Bidu Sayão, Belém /Brazil
2003 Finalist in the Wigmore Award - Wigmore Hall, London/UK
Very highly commended in the Elena Gerhard Lieder prize - Royal Academy of Music (RAM), London/UK
Awarded Dip. RAM - Royal Academy of Music, London/UK
2002 Amanda von Lob Memorial Prize - RAM, London/UK
Highly Commended in the Isabel Jay Singing Prize - RAM, London/UK
2001-2003 Awarded full scholarship from the Calouste Gulbenkian Foundation (Lisbon/Portugal) to cover expenses incurred by study at the Royal Academy of Music in London/UK
2000 Awarded scholarship from the Isaac Albéniz Foundation (Madrid/Spain) to attend a masterclass with Teresa Berganza at the International Summer Courses in Santander/Spain
1996 Highly Commended in the Estoril's Interpretation Competition, Portugal
Armando Guerreiro Prize (for talented young artist)in the 4th National Singing Competition Luisa Todi, Portugal